|
Review by:

EVERLOUNGE
Nice Set
Of Maracas
Producer(s): Bill Siegel, Alan Douches
Deko Music 1011
Genre: POP CRITICS CHOICE
Originally reviewed for week ending 7/10/99
Click
here to see this review on the Billboard Website
|
If
Barenaked Ladies had a dark side, Style Council a sense of humor,
or Morphine guitars and keyboards, they might sound something like
this New York lounge/swing /funk/ rock'n'roll sextet. Fronted by charismatic
vocalist Don Dazzo, the group rips through a set of (mostly) originals
with verve, abandon, and just the right amount of musical chops. Highlights
include the opener, "Cousin Cujin," which suggests a Mexican or Neapolitan
folk song dressed in Mardi Gras colors; the Hawaiian-flavored medley
"Little Grass Shack/Five O Clock Whistle"; the touching, sincere "Sad
Clown"; the twisted "Donny And Marie"; the raunchy "Shikse Girl 2000"
(also featured on the band's '96 release "Vodka Context"); and the
cheeky, country-inspired "You're The Only Other One." A group that
tears it up live and is poised to make itself heard on record as well.
Perfect for college, triple-A, and modern rock outlets with an attitude.
Contact: 908-541-0967. |
|
Review by:
The Courier News April
15, 1999
|
Everlounge makes it so
much easier to miss Whirling Dervishes, the former band that evolved
into this Westfield, N.J.-based lunge-rock act. The band's follow-up
to it's 1996 debut CD, 'Vodka Context,' goes down like a martini
made with love. 'Nice Set of Maracas' is as romantic - 'Sad Clown,'
'Been to California,' 'Thousand Sundays,' - as it is silly - 'Donny
and Marie,' the opening Italian-flavored romp of 'Cousin Cugin.'
But most of all, the disc is sexy and funny, such as on the salsa-spiced
'Boot and Crop,' the fashion statement 'Dying to Design' and the
jazz-tinged, keyboard-driven elevator funk of 'Johnny Ham'n Egger.'"
Bob Makin-"Makin'Waves"
|
|
By:
LO FI
EASY LIVING FOR COOL
MODERNS
|
Band Lineup & instruments
played by each member: Bill Siegel: Key & Trumpet; Don Dazzo:
Vocals; Bob Ardrey: Guitar, Banjo; Mark Norwine: Lead Guitar; Ed
Fleischman: Double & Electric Bass; Nelson Popp: Drums, Percussion.
All: Backing vocals.
Band's approach to
lounge: What you'd picture playing in a Ramada Inn lunge circa
1974-76. Major influences on the band: Pop culture and American
film, Louis Prima, polyester, punk rock and good food.
Where they can be
seen regularly: Downtown Café, Red Bank, NJ; Fez - NYC.
Do you have any CD
releases or forthcoming CDs?: Currently hard at work recording
our new CD which we started in July.
Any plans to tour
outside of New York?: We'd love to - can you book us some high-paying,
plush weekend dates?!!
Additional thoughts:
The caliber of bands we play with is so much greater than that
in the alt. Rock scene. Bands like Voodoo Martini and Last of the
International Playboys are a real inspiration. They're really good
and everyone is striving to be excellent. It makes for a winning
musical atmosphere and a great evening.
|
|
Review by:
THE HOME NEWS & TRIBUNE
(ON THE GO)
APRIL 26, 1996
RICHARD SKELLY
|
SHAKEN, NOT STIRRED
Whirling Dervishes' Offshoot Everlounge is a Cocktail-Music Phenom
Don Dazzo, lead singer
for the group Everlounge, reports that lounge music is going over
in the unlikeliest of places, Dazzo's group, a spin-off from the
Whirling Dervishes, one of New Jersey's most popular all-original
rock'n'roll bands, was formed three years ago.
"The basis for most of
the songs we play live is blues," Dazzo explained by phone from
his Westfield home earlier this week.
"I think that's why lounge
music seems to be going over in places I never thought it would.
We played this blue collar bar in Kenilworth with pool tables and
trucker types hanging around, and I thought these people were going
to start throwing stuff at us," he said, laughing. "But they didn't.
It went over."
Tomorrow, the group celebrates
the fact that their music goes over in the most unlikely places
by holding an album release party for their debut, "Vodka Context"
on O'Rama/WM Records, a Middlesex-based independent record company.
So why all the fuss about
lounge music?
Lounge music, as exemplified
by groups such as Combustible Edison from Boston and Dazzo's own
group, is not so much a type of music, he said, as it is a style.
"What's great about lounge
music is it encompasses blues, some jazz and pop standards and other
kinds of music as well. In writing songs for a lounge band there's
that much more from for melody, because you're not concentrating
on being loud and crunchy all the time. It's easier on the ears,
so I believe I get away with more in the lounge band than I do in
the Dervishes," he explained.
The roots of lounge music
are in 1960s performers such as Dean Martin, Englebert Humperdinck
and Tom Jones - not really cabaret singers, but romantic crooners,
Dazzo said.
"The most interesting
thing about today's lounge music is that people who were weaned
on rock 'n' roll are playing it. Combustible Edison is probably
at the forefront of this style, "he added. "I suppose there's an
element of cabaret in us, but we're not really doing jazz standards,"
he said. The original songs he and his partners in Everlounge write
"are silly, campy, bawdy songs. The covers we pick are mainly just
great songs, everything from Duke Ellington to the Pet Shop Boys,
done 'a la lounge'."
The band has gained
something of a following at Palmyra Tea Room , and they recorded
part of the album there, so it seemed appropriate to hold their
album release party at the Bound Brook coffee house/hangout last
weekend.
Everlounge is comprised
of Nelson Popp on drums, Ed Fleischman on bass, Mark Norwine on
electric guitar, Dazzo on lead vocals, Bill Siegel on keyboards
and horns and Bob Ardrey on acoustic guitar.
For those totally unfamiliar
with lounge music, what could they expect?
"It's a real hoot. We
dress up in tons of polyester and velvet and we do the whole night,
two long sets, mixings all these different types of songs, our own
and covers. People can dance and have a really good time and at
the same time, it's not really loud, It's a great date band and
that's what so great about the Palmyra Tea Room: we're not playing
loud, and if you want to pay attention to us, there's plenty to
pay attention to, But if you don't want to, that's fine too."
|